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Jacob Collier tickets San Francisco

Jacob Collier fans, Are you ready for San Francisco? on Saturday, October 10th 2026 as part of her tour Jacob Collier will be playing at Castro Theatre, CA. Score your Jacob Collier tickets San Francisco right here.

Jacob Collier
Jacob Collier Ticket
Get your tickets now for an unforgettable performance by Jacob Collier! Experience an electrifying show filled with energy, talent, and spectacular entertainment. Don't miss out—secure your spot today!
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Jacob Collier
  1. Oct 10Sat 08:00 PM
    Jacob Collier at Castro Theatre Castro Theatre - San Francisco - CA

    Jacob Collier Castro Theatre October 10,2026

By BigSabe

Jacob is out of this world amazing - Venue not so much

I've seen Jacob many times, and I'm a huge fan. I know each song intimately. Took the family to House of Blues on May 8th and we had balcony tix. I hoped they wouldn't be so bad due to the size of the venue. The view was fine. However, the SOUND sucked. The bass in the balcony was completely overloaded and masked the subtle nature of the playing that was happening onstage. Both Jacob and Robin's basses (plus kick drum) suffered the same fate. It was so overloaded, that the delicate harmonies were often masked and the piano disappeared as well. All you could hear was sub bass overload and distortion. I'm not sure I'm gonna blame the FOH mixer either, because when I moved positions (down) the problem was less. So, i'm gonna blame the venue and say they need to install baffles or something. Because it was ridiculously bad. Maybe it works for the normal HO Blues crowd, but Jacob's music is way to exacting for this venue, so I hope he doesn't return here. If he does, I'll have to suffer the mosh pit next to the mixing desk I guess. Otherwise, the venue seemed ok and is a nice size. Just don't go upstairs if you're remotely interested in things sounding like they are supposed to. BTW, I used to mix music (and film sound) in my younger days. Ringo Starr, Bob Dylan, and in the studio with Sting and Dire Straits programming synths in the late 80s early 90s. So, spent lots of time in perfectly tuned, very loud rooms, so i'm not some Karen when it comes to sound and sound quality.

By Nichole

Band was great - venue needs work

Jacob, was, as his reputation precedes, exceptional. Alita Moses and the drummer (whose name I did not catch) stood out among the rest of the band. Exceptional vocal harmonies and clarity, great sound, potentially over the top lighting. The drummer made wonderful choices not to overplay even while some complicated metric modulations were taking place. Nice to hear such a dynamic act at such a large venue. I've been to shows at the Fillmore twice and there is some to love, and some to hate about this venue. It seems to have naturally great sound for shows like this. What it lacks is sightlines. I'm a giant, so no problem for me - my friends were sub 5'6" and had no prayer of seeing anything happening on stage from anywhere but the front row. Most of the balcony is VIP seating, so First Ave is the much better Minneapolis option if you want to see without forcing your way to the front. With GA tickets as expensive as they were, people need to have a fighting chance to see without having to pay even more. My small friend found a spot on a landing between stairs up to the balcony. They were told to move after a while by the venue, and other people took that spot and no one from the venue ever came back to check on things, and the new unwritten rule breakers were allowed to stay through the show. Paid $13 pre-tip for a Coors Light :| Definitely a little price gouging happening here. Overall, the Fillmore is one of the best sounding rooms in the Twin Cities, but reminiscent of the problems that plagued and doomed The Brick as far as bad sightlines. If you're demanding higher ticket prices than places like First Avenue, the Orpheum and the State, the experience can't be worse, and unfortunately it is. Doing away with the reservation of more than half the balcony for VIPs would go a long way towards improving the situation.





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